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A&E Home Video presents
The Avengers '67—Set 2, Volume 4 (1967)

"It's all high-wire melodrama, good-humoured fetishism and flamboyant self-mockery. We hopefully expect it to be with us for a long while."
- Playboy, March 1967

Review By: debi lee mandel   
Published: May 10, 2000

Stars: Patrick Macnee, (Dame) Diana Rigg
Director: Various (See below)

Manufacturer: DVCC
MPAA Rating: Not Rated
Run Time: Approx 170min total
Release Date: April 27, 1999
UPC: 733961700152
Genre: television

Image Transfer
Audio Transfer

DVD Review

For overall series review, click here.

3 Episodes:

'67 Set 2, Volume 4

Never, Never Say Die
Steed Meets a Dead Man—Emma Fights the Corpse

US air date: March 31 1967
Director: Robert Day

"I've killed him—I've killed him again!" - Whittle

Seems we're in for a treat when this episode opens with Christopher Lee standing purposefully in the path of an oncoming car—yes, it hits him, tossing him "20 feet in the air". The disconcerted driver takes him directly to the local hospital, where this "corpse" gets up and walks away!

As our avengers investigate this mysterious fellow, they come to the Neoteric Research Unit, a top-secret—surprised?—laboratory. Steed is off to meet the facility's director, who bears a remarkable resemblance to the indefatigable "victim".

I confess the ensuing plot fails to capture me, with yawn-provoking dialogue...has its moments, but not a favorite for me.

Note to continuity editor: It would seem our Steed cannot decide if he is wearing gray or brown today...never took him for such a quick-change artist.

Libations: A glass of champagne each—this one left me thirsty, too. This episode is only worth a sorry 2 libations.


Steed Catches a Falling Star—Emma Makes a Movie

US air date: April 14 1967
Director: James Hill

"We are now leading up to the climax of the movie: the moment when the heroine is trapped & the diabolical archfiend reveals to her his terrifying purpose!" - Z.Z. von Schnerk

As Steed greets Emma with his usual "Mrs. Peel—", she cuts him off as she replies, "Sorry, Steed, I'm needed elsewhere...."

Indeed, she is: kidnapped while hailing a taxi, Emma is whisked off to a defunct movie studio where a mad director plans to film her death. Under an eternal contract to him are 2 aging has-been actors who lead our heroine through a series of clichéd movie genres, heading toward the fait d'accompli.

Fans either love or hate this prime example of The Avengers' 1967 season—a dichotomy I easily understand. It seems at some point during their first color season they finally tuned in to their audience and began to capitalize on why they came out, week after week, in numbers: the clever humor, the dubious intrigue, and, mostly, the high camp fun. There is no question one must forgive plot and suspend disbelief to truly enjoy this new brand of absurdity: judging by the show's new rise in popularity, millions did.

This episode is classic tongue-in-cheek, Avengers-style fun that symbolizes a turning point. They know they are proposing preposterous plots and play them to the hilt. (Proof is in the opening, when Emma, flipping through the channels, watches a few seconds of the first season's "The Cybernauts"!) Viewed with an open mind and a smidgen of 60's TV innocence, this is a gem of a thriller that will make you laugh out loud.

Note to continuity editor: In the "Western" sequence, Emma has a six-shooter, which she discards when she realizes it is only a prop gun; a moment later, by the electric fence, she seems to have it again; a moment after that, when she encounters the bobby, it's gone again.

Libations: Too busy to tip up even a glass of their belovéd champers—but I was drunk with delight. 4-1/2 of 5 for this riot.

The Superlative Seven
Steed Flies to Nowhere—Emma Does Her Party Piece

US Air date: April 21 1967
Director: Sydney Hayres

"Damn fool idea, having a party on a plane." - Mark Dayton

This one treats us to a delightful twist from the start: Steed, out hunting, shoots down a rubber duck that bears his name, and Emma emerges from the bush to say, "You're needed."

Mrs. Peel drives Steed to the airport where he is to attend a fancy dress party aboard an airplane. After take-off, he and the other six guests realize their invitations were forged, and they deduce each has been chosen because of their particular areas of expertise: a professional strong man, a big game hunter, a master swordsman, a bullfighter, a markswoman, a hand-to-hand specialist—and our Steed. They check the cockpit and discover the plane is being remotely controlled.

Arriving at a deserted mansion on a mysterious island, their "host", by way of speakers, discloses that one among them is a trained "super killer" who will conquer them, one by one.

Based on Agatha Christie's mystery "And Then There Were None" (aka Ten Little Indians), this version includes the same red herring to disrupt our vigil for the killer, throwing off the body count to confound both the characters and the viewing audience. There is a nodding reference to the original work when the unseen host notes, "And then there were 6..."

This delightful fantasy includes performances by Charlotte Ramping as Mrs. Hana Wilde (the markswoman) and a ruthless Donald Sutherland as the devious mastermind.

This is high suspense in theatrical style, with everything done well. A superb cast, solid fight scenes and an excellent, though expected finish.

Libations: Steed downs champagne and a stiff drink to steel his nerves and another bubbly at the end with Emma. A 5 glass salute from me.

Rating for Style: A+
Rating for Substance: A


Image Transfer

Aspect Ratio1.33:1 - Full Frame
Original Aspect Ratioyes

Image Transfer Review: These discs from A&E are really superb. The colors are smooth and even, in the "palette" of the time. These could have aired last week, the transfer is that clean. No noticable flaws or jumps. Bravo!

Image Transfer Grade: B+


Audio Transfer

 LanguageRemote Access
PCMEnglisn, monono

Audio Transfer Review: Laurie Johnson's music prevails season after season, equal to the scenes it underscores. Admittedly, my audio set up leaves much to be desired; but everything comes through even and clean.

Audio Transfer Grade: B


Disc Extras

Static menu with music
Scene Access with 27 cues and remote access
Packaging: Amaray
Picture Disc
1 Disc
1-Sided disc(s)
Layers: RSDL

Extra Extras:
  1. Production Stills Gallery
  2. Web Site Promo
Extras Review: I'm told by our other Avengers' reviewer, Mark Zimmer, that A&E produced the color series first - this explains in a snap to me why the design of the black & white series is so much better. The overall package design for the color series is a disappointment, flat and muddy-colored and nowhere near as exciting. The menu is a snappier, more 3D sort of interface, but I really prefer the look & feel of the flatter, more 60's approach to the interface in the b&w series. The problems here arethe same: too many clicks to navigate the chapters, etc.

The extras consist of a gallery of stills from individual episodes included on each disc - these are a bit bigger and so easier to enjoy, but I found the tabular interface confusing, and the number of images disappointing. Every disc also has a menu link to A&E's "www.originalavengers.com", a good marketing move but poorly executed - why not give us a real taste of what's in store for us there? Bios, interviews, scripts—"all would be welcomed by aficionados and newcomers alike.

Extras Grade: D


Final Comments

This disc, too, is one of the best overall. If you are purchasing by the set, then this should be the first on your list. 2 great "must have" episodes make this a "superlative epic". 4-1/2 generous martinis.


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