Studio:The Global Film Initiative Year: 2009 Cast: Do Hai Yen, Nguyen Duy Koha, Johnny Tri Nguyen, Linh-Dan Pham Director: Bui Thac Chuyen Release Date: January 31, 2012 Rating: Not Rated for (adult themes, nudity) Run Time: 01h:45m:47s Genre(s): foreign
ďIf you donít expect too much then everything is simple." - Duyen (Do Thi Hai Yen)
This highly-acclaimed Vietnamese film is an erotic drama that gives us an inside look at what life is like in present-day Hanoi. Hopefully it's as appealing as the image on the case's cover.
Movie Grade: A-
DVD Grade: C
Vietnam isnít exactly the first country you think of when referencing the best of international
cinema. Responsible for a very small slice of the worldwide box office pie, itís been a constant struggle for
Vietnamese filmmakers to carve their niche on the international scene. One of these directors is Bui Thac Chuyen
(Living in Fear), a former actor who began his filmmaking career with the 1991 short film Eternal Sadness, which
won the Golden Swift Wing Prize at the 1st National Viet Nam Festival of Short Movies. His latest film, 2009ís
Adrift (Choi Voi), hasnít done much in its three years of limited theatrical releases to give Vietnamese filmmaking
a broader audience, but, as the latest addition to The Global Film Initiativeís ďGlobal Lens CollectionĒ line of DVDs,
the flick has the chance to reach a countless number of U.S. households. Fortunately, the film is more than worthy
of a wide audience, despite its challenging subject matter and languid pacing, but whether such a title can truly latch
on to those who would otherwise not gravitate towards such cinema, remains to be seen.
Duyen (Do Hai Yen) has just married Hai (Nguyen Duy Koha), a cab driver who is too wrapped up in his job,
his friends, and his mother to pay any attention to her, let alone consummate their marriage. Frustrated in more
ways than one, Duyen confides in her friend, Cam (Linh-Dan Pham), who is suffering from an unnamed illness.
Cam seems to secretly be harboring feelings for Duyen, but despite such affections, she steers her friends affections
towards the hunky Tho (Johnny Tri Nguyen). It isnít long before Duyen is having an affair with Tho; an experience
that unlocks numerous feelings and emotions that she never even realized she could experience. After such an
incredible sexual awakening, itís going to be difficult to go back to her new husband, let alone wind up in the arms
of Cam, who just may be her one true love.
After an initial viewing, itís easy to feel that the filmís title is extremely appropriate given the snailís pace that things
occur at. Director Bui Thac Chuyenís meticulous pacing can be unnerving at times, but once weíre able to digest
the entire film and we realize the numerous themes heís trying to convey, itís easier to realize just how necessary
such languidity is. Plus, thereís a huge difference between a slow moving plot and a boring one, and this is certainly
a case of a screenplay that results in the former rather than the latter. Duyenís tale is an extremely compelling one
that could be easily set in the U.S. or any other country. Hers is a story that many of us are all too familiar with,
touching on themes and common problems that are both easily relatable and therefore very engaging. If thereís
any story that has a chance to bring Vietnamese cinema to a wider audience, this just might be the one.
For all of the talk (both on the DVDís case and in online write-ups on the film) about Adrift being sensual and
erotic, thereís very little actual sensuality or eroticism depicted on-screen, with much of it inferred and the specifics
left to our imagination. Instead, Bui Thac Chuyen focuses on crafting an atmospheric film that still does a fine job
finding plenty of room for substance as well as style. Heís aided by a pair of incredible performances by Do Thi
Hai Yen and Linh Dan Pham, two actresses that flawlessly embody their characters, making them stick with us
even after the film is over. While it would be great to let them strengthen the cinematic footprint in their native
country, I canít help but want to see both of these actresses make the trip to Hollywood and see what they can do
in dramatic fare over here. Despite the greatness of Adrift, the film, Adrift, the DVD release leaves a bit to be
desired. The 2.00:1 anamorphic widescreen presentation is often way too soft, with contrast and brightness issues
that make it difficult to make out image detail during darker sequences. The Dolby Digital 2.0 audio mix is just
fine, though, but there are times where the lack of a 5.1 track seems like a missed opportunity. The extras basically
serve as an extended advertisement for The Global Film Initiative, as they include a trailer for other GFI releases, a
collection of static images for such titles, and a textual discussion on what the GFI is all about. There is a very nice,
18-page ďFilm Discussion GuideĒ that pretty much tells you everything you ever wanted to know about Adrift.
This is a nice companion to an excellent film.