the review site with a difference since 1999
Something Weird Video presentsSatan in High Heels
(1961)
"A girl has to have a roof over her head."- Stacey Kane (Meg Myles)
Stars: Meg Myles, Grayson Hall, Bob Yuro, Del Tenney, Ben Stone
Other Stars: Mike Keene, Earl Hammond, Nolia Chapman, Pat Hamer
Director: Jerald Intrator
Manufacturer: Ritek
MPAA Rating: Not Rated for (sensuality, brief nudity, violence, implied drug use)
Run Time: 01h:29m:56s
Release Date: 2002-02-12
Genre: cult
Style Grade |
Substance Grade | Image Transfer Grade | Audio Transfer Grade |
Extras Grade |
---|---|---|---|---|
B | B- | B+ | C | D |
DVD Review
Classifying this little bit of misogyny wasn't the easiest, but since it came out under the Something Weird label, the "cult" tag seems to be a natural, even though I don't know of any particular cult following this picture has. For those with a grudge against women, for whatever reason (and this picture supplies quite a few), this will be a treasured part of their movie collection. Carnival stripper Stacey Kane (Meg Myles) is greeted by Rudy, her junkie husband who has managed to score a satchel full of cash (the now ridiculous amount of $900); she promptly gives him a story to keep him busy and heads for the big city with the satchel. Stacey loses no time in picking up a sleazy hotelier, who sets her up for an "audition" for Pepe, a nightclub manager (Dark Shadows' Grayson Hall). Pepe is a lesbian, and she too succumbs to Stacey's charms, as do the nightclub owner, Arnold Newman (Mike Keene) and his son Larry. This leads to certain inevitable complications, particularly when Rudy catches up with Stacey and she decides to use the moment to rid herself of several pieces of male baggage in one fell swoop. Stacey is just about the most vicious wench you'd ever want to meet, though she moves a bit subtly at first. Yes, ripping off your junkie hubbie is definitely in the not-nice category, but we also have every indication that he's a piece of work himself. Once in New York, Stacey will jump anything that she thinks might further her career, and while somewhat objectionable, that's neither outlandish nor far beyond the everyday ladder-climbing that goes on in many places. In a way, she's kind of admirable as a Survivor. But when we get to the last third of the picture, all bets are off. There's a malevolent glee in the way that Stacey's machinations both wreck the lives of all the men who've fallen to her, and in the ways that they all backfire on her. Indeed, the movie's not very kind to men either, since they are either disposed of as gay, drug-addled or unscrupulous lechers; all of the foregoing are irredeemably stupid and dependent, and they more or less deserve what's coming to them. Even though this is hardly a classic and I can't believe I'm mentioning it in the same breath, I was left with the kind of feeling I got at the end of reading The Count of Monte Cristo. Sometimes it's just a lot of fun to see these terrible things unfold upon the heads of those that made their own beds.While most of the cast is nonentities (many of them doubling as crew, always a bad sign), there are a couple of standouts. Meg Myles is suitably awful, pleased with herself and just a bit tawdry, capturing the bad girl in a big way. She embodies fading eye candy perfectly, almost as if she recognizes that time is catching up with her and she needs to make a big score, now. I very much enjoyed Grayson Hall's acerbic performance as Pepe as well; I think this may be the first non-Dark Shadows work I've seen her in, and she has an intriguing range though still with that famous gravelly voice. The rest of the cast isn't worth much, but manage in a decent enough manner.Nudity is quite limited (a brief split-second peek, really), although there's plenty of cheesecake on screen throughout. There's also a commendably erotic nude swim sequence that makes up for the several overly lengthy songs that eat up the running time here. But it's pretty much worth it to get the climactic number, "The Female of the Species (is More Deadly than the Male)", a perfect marriage of a song and film if there ever was one.Rating for Style: B
Rating for Substance: B-
Image Transfer
One | |
---|---|
Aspect Ratio | 1.33:1 - Full Frame |
Original Aspect Ratio | yes |
Anamorphic | no |
Image Transfer Review: For a low-budget trashy movie that's over 40 years old, this looks exceptional. The black & white full-frame picture has excellent detail and good black levels, without visible artifacting. The grayscale is generally broad as well. There are some expected minor speckles, but overall this looks better than it has any right to look.
Image Transfer Grade: B+
Audio Transfer
Language | Remote Access | |
---|---|---|
Mono | English | no |
Audio Transfer Review: The 1.0 mono audio doesn't measure up, since it features a fair amount of noise and static throughout. Dialogue is almost always clear, however. The music has a fairly shrill quality that isn't too distracting but is hardly pleasant. It's acceptable for what it is, on the whole.
Audio Transfer Grade: C
Disc Extras
Static menuScene Access with 12 cues and remote access
1 Original Trailer(s)
7 Other Trailer(s) featuring Confessions of a Bad Girl, Girl with an Itch, The Love Cult, Satan's Bed, Satan's Playthings, The Soul Snatcher, The Unsatisfied
Packaging: EastPack
1 Disc
1-Sided disc(s)
Layers: dual
Extra Extras:
- Second Feature: The Wild and the Naked
- Two shorts
- Sexploitation art and radio ads
Extras Grade: D
Final Comments
A surprisingly entertaining misogynistic and misanthropic little gem given a decent enough transfer, but saddled with a bevy of unpleasant extras. I suppose that these make the DVD more saleable, but don't expect much entertainment value from them.Mark Zimmer 2002-02-14