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Synapse Films presentsGod Has a Rap Sheet
(2002)
"So, you are a mistake, you made a mistake. Which one are you in for?"- God (John Ford Noonan)
Stars: John Ford Noonan, Peter Appel, Bonz Malone, Mohammed Djellouli, Andre De Leon
Other Stars: Shane Franklin, Ken Lin, Mark Love, Tommy Houlihan, William Smith
Director: Kamal Ahmed
MPAA Rating: Not Rated for (language, violence, nudity, sexuality, racial and ethnic slurs)
Run Time: 01h:55m:31s
Release Date: 2004-09-28
Genre: drama
Style Grade |
Substance Grade | Image Transfer Grade | Audio Transfer Grade |
Extras Grade |
---|---|---|---|---|
B+ | B | C- | B+ | B+ |
DVD Review
Kamal Ahmed is probably best known as a creator of The Jerky Boys, which was something of a renowned bit of lowbrow humor. Ahmed has since moved on, however, to writing and directlng this intense little character drama. While the street character of his earlier work is still present, it's lifted to a more substantial level with the interplay of types in surprising ways.One hot summer night under a full moon in New York City, eight diverse men find themselves stuck in a holding cell for various petty crimes, together with a homeless man who insists that he's God (John Ford Noonan). The eight have an edgy hostility towards one another, such as Josh Zmirov (Peter Appel), a Hasidic Jew with a thing for transvestite hookers and Mohamed Aziz (Mohammed Djellouli), an Arab cab driver whose wife is dying of cancer. Two streetwise punks, Bigrollabills (Bonz Malone) and Oscar (Andre De Leon) are contrasted with a pair of overly-well-groomed record industry executives, Ian (Shane Franklin) and John (Ken Lin). Anthony (Mark Love) is a small-time hood working for a mobster, while Patrick (Tommy Houlihan) is an Irish-American who can barely contain his rage.
The result of throwing together such an odd assortment and forcing them to interact is reminiscent of such single-room dramas as 12 Angry Men. After the initial knee-jerk differences are aired, the axes begin to shift and different alliances and hostilities based on race, ethnicity and class form, giving the interactions a fluid dynamic egged on by God's exhortations and frequently comic monologues. The dialogue has an easy improvisational feel, although the commentary indicates that the cast stuck to the script for the most part. The characters are all richly drawn, with some interesting quirks and issues.
Playwright John Ford Noonan makes for a good lead, finding a character somewhere between Santa Claus, a guru, and the guy who mutters to himself as he rummages through the trash. Appel occasionally takes his character a bit over the top, but as we learn there are reasons for this. Perhaps the strongest actor, however, is the amateur Tommy Houlihan, who radiates intensity and venom in a terrifying manner. You don't want to meet this man on a dark or even a well-lit street. Veteran actor William Smith makes a memorable appearance near the end, testing the bonds that have formed between the men.
Stylistically the low-budget independent film offers a number of different shooting methods, with flashbacks that have a more saturated, but slightly dreamy feel to them. The video-generated opening credits have a cheesy 1970s television feel to them, which is a bit indulgent since the relation between the content and '70s television is not readily apparent. Although it doesn't have the strongest narrative thread, the tale does make for an interesting little character piece.
Rating for Style: B+
Rating for Substance: B
Image Transfer
One | |
---|---|
Aspect Ratio | 1.85:1 - Widescreen |
Original Aspect Ratio | yes |
Anamorphic | yes |
Image Transfer Review: The anamorphic widescreen transfer suffers from quite a bit of video artifacting at times. Reds are oversaturated and break up into pixelation throughout, as do yellows on occasion (such as during the opening credits). Otherwise it looks pretty good, with decent black levels and good detail and texture for a low-budget film shot on short ends.
Image Transfer Grade: C-
Audio Transfer
Language | Remote Access | |
---|---|---|
DS 2.0 | English | yes |
Audio Transfer Review: The Dolby Surround track is quite acceptable for the most part, though dialogue is occasionally difficult to understand, mostly due to dialects. Dialogue is center-oriented, while the surrounds are primarily used for ambient sound and the score from the Sacred Grove Posse, Kamal Ahmed's band. The music has good range and thumping bass that's suitable for the urban subject matter.
Audio Transfer Grade: B+
Disc Extras
Static menuScene Access with 16 cues and remote access
1 Original Trailer(s)
4 Deleted Scenes
1 Featurette(s)
1 Feature/Episode commentary by director Kamal Ahmed
Packaging: generic plastic keepcase
Picture Disc
1 Disc
1-Sided disc(s)
Layers: RSDL
Layers Switch: 01h:07m:42s
Extra Extras:
- Soundtrack CD excerpts
Extras Grade: B+
Final Comments
An intense and interesting character study, with some quirky moments. The extras are worthwhile, though the transfer has some issues. Worth checking out if you're in the mood for something different.Mark Zimmer 2004-09-27