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The Criterion Collection presentsOverlord
(1975)
"This war has killed so many people already. I'm just going to be another one. I can feel it the way you feel it when you're going to get a cold."- Tom (Brian Stirner)
Stars: Brian Stirner, Davyd Harries, Nicholas Ball, Julie Neesam
Director: Stuart Cooper
MPAA Rating: Not Rated for language, adult themes, nudity, war violence
Run Time: 01h:23m:03s
Release Date: 2007-04-17
Genre: war
Style Grade |
Substance Grade | Image Transfer Grade | Audio Transfer Grade |
Extras Grade |
---|---|---|---|---|
A- | A- | A- | B+ | A- |
DVD Review
Overlord tells the story of D-Day not in vast, panoramic terms, but on a much smaller, more intimate stage, that of a young British soldier as he moves from being drafted through his ultimate fate on June 6, 1944. Director Stuart Cooper combed through thousands of hours of war footage held by Britain's Imperial War Museum, blending his selections with his own original footage, beautifully shot in black and white by cinematographer John Alcott. The result is a beautiful, haunting film shot through with images of horror both large and small scale.Tom Beddows (Brian Stirner) gets his call-up just before his 21st birthday, leaving his parents and dog behind. He experiences the travails of military life, befriending two other soldiers, Jack (Davyd Harries) and Arthur (Nicholas Ball), as the men are prepared for the invasion of Europe that looms in the near future. The men hold no illusions about their potential fate, and Tom grows increasingly certain of his future as the invasion nears.
Overlord works more at establishing a general mood, rather than a reconstruction of specific events leading up to the D-Day invasion, and it comes together quite well. Through the integration of the original war footage, we get an idea of the absence of stability in the life of the common soldier. The regimentation of military life works to impose a routine and training upon the soldiers so that they can carry out their mission and hopefully survive, but the dehumanizing elements of it lead many to a well-earned fatalism, exhibited by Tom in a letter home to his parents.
At the heart of the film is Tom, standing in as an everyman innocent sent to the slaughter. The script deliberately sets him up as someone unschooled about the world in many ways, which garners our sympathy as well as making him emblematic of the lives unfulfilled that were sacrificed to the invasion. No argument is made either way about this being a necessary evil; indeed, the war footage is often eerily beautiful, lending an attractiveness to the chaos it depicts. Tom's eventual fate, as foreseen by him more than once, ends up being the cruelest of fates, a death that is utterly meaningless and useless, adding nothing to the invasion aside from another tick in the body count.
Rating for Style: A-
Rating for Substance: A-
Image Transfer
One | |
---|---|
Aspect Ratio | 1.66:1 - Widescreen |
Original Aspect Ratio | yes |
Anamorphic | yes |
Image Transfer Review: The film has been transferred at its original aspect ratio of 1.66:1, and it looks very good, bringing out the best in Alcott's cinematography, which blends very well with the older footage. The older footage occasionally shows wear and tear, but that's hardly unusual and not especially distracting.
Image Transfer Grade: A-
Audio Transfer
Language | Remote Access | |
---|---|---|
Mono | English | no |
Audio Transfer Review: The original mono soundtrack sounds perfectly fine; the added-in sounds of warfare during some of the archival footage is a little off-putting, but that's more a stylistic quibble.
Audio Transfer Grade: B+
Disc Extras
Static menuScene Access with 14 cues and remote access
Subtitles/Captions in English with remote access
1 Original Trailer(s)
1 Documentaries
4 Featurette(s)
1 Feature/Episode commentary by Director Stuart Cooper and actor Brian Stirner
Packaging: Amaray
Picture Disc
1 Disc
1-Sided disc(s)
Layers: dual
Extra Extras:
- Journal readings of soldiers by Brian Stirner
- Booklet with essays
Extras Grade: A-
Final Comments
This isn't a film I consider "entertaining" in the usual fashion, but I found it extremely engrossing and moving. There's nothing patriotic about it; it's a simple, unadorned story of a young man fed into the military machine. The film is bolstered by several worthy extras in the standard Criterion fashion.Jeff Wilson 2007-04-17